Reflections, and the delicate mystery of London's unique atmosphere interested Monet endlessly during his time in the city. The haze of lilac, blue and violet tones in Waterloo Bridge, soleil voilé capture how this fog affected the Thames in the afternoon, as the westerly moving sun penetrated the dense cloud to gently light up the wide arches of the bridge. Those massive, regular blocks became grandiose within that mysterious cloak.’ ‘It’s the fog that gives it its magnificent breadth. ‘Without the fog, London would not be a beautiful city,’ he said to the dealer René Gimpel in 1920. But it was the fog that proved most difficult to tame and that contributed to the unique effet of London. The weather, the time of day and the flow of water under the bridge all shaped the industrial landscape he sought to depict. It portrays the hard surroundings of the cityscape - the bridge, the factories in the background - as a symphony of colour, emphasizing the phantasmal way in which London’s characteristic fog shrouds its mechanistic perpetual motion in a veil of stillness and silence.īalancing this was the ultimate challenge for the artist, who for years had been studying how to capture the ephemeral atmosphere of ever-changing landscapes. In Waterloo Bridge, soleil voilé (1899-1903), his depiction of this scene reached its apex. His numerous iterations of the two bridges seen from his balcony track how the sun reflected off the water throughout the day. He would return the next three springs, focusing on three motifs: the Houses of Parliament, Charing Cross Bridge, and Waterloo Bridge. Monet spent nearly all his time painting the city. In 1900, Claude Monet took a trip to London with his wife and step daughter to visit his son, Michel, who had taken up residence in the capital. Allen Collection, at Christie’s this November, are some of the finest painters who have captured light in all its complexity. The incomparable artists included in Visionary: The Paul G. It is a master painter who can use texture to reveal brilliance, who can make the ultramarine of the sky as luminous as its reflection in the sea. Painters throughout history have taken up the challenge of capturing light on a canvas. From the sun glistening on the surface of a creek, to the golden-hour light revealing the web of veins in an old tree, we can see how light illuminates our world with colour, provides contrast with its shadows, and gives us life.
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